2005年《婚礼》是部让人看后心里堵得慌的黑色小品，叙事像剥洋葱一样层进，笑中带泪。这不仅仅是个悲剧，更像是一面镜子。那种欲言又止的克情感，直击心底。片子最戳人的是那种冷峻克制的现实主义，全程没有歇斯底里的哭喊，只有两个孤独灵魂在都市丛林里为了生存而进行的笨拙博弈。如果你也是个“感伤系”影迷，或者是喜欢探索细腻人性，哪怕有点小压抑也愿意默默买单的观众，这部《婚礼》绝对值得一看。 演员全演得自然且极具张力，虽然场景单一，但对话埋下了一层层反转的钩子。

Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

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