《幸福谷》第二季延续了第一季冷峻写实的基调，导演萨利·温莱特与妮萨·哈迪曼在叙事上采用多线并行的碎片化结构，通过大量的中近景固定镜头和长焦偷窥视角，将约克郡灰蒙蒙的乡野与角色内心的压抑感融为一体。但正是这种真实的笨拙，让她在面对连环杀手时那几句平淡的威胁台词有了分量。詹姆斯·诺顿饰演的恶棍则带着一种令人不适的真实感，不靠咆哮，靠细微的肢体语言让人后背发凉。如果你能接受一部不刻意讨好观众、愿意花时间雕琢人物内心、对善恶不作简单判定的罪案剧，那么这一季会让你沉浸很久。第二季的剧情节奏依然很慢，但每个细节都有分量：比如她对女儿遗腹子小心翼翼的照顾，和面对前夫时的尴尬沉默，都比追捕罪犯本身更揪心。适合偏好心理写实、厌恶套路反转的犯罪剧观众，尤其是愿意跟随角色呼吸而非追逐快节奏的解谜者。

Sarah Lancashire returns in the acclaimed BBC thriller written by Sally Wainwright. No-nonsense police sergeant Catherine Cawood is back heading up her team of dedicated police officers in the Calder Valley in West Yorkshire. While on duty, she makes a gruesome discovery – a body. The victim’s injuries bear a striking similarity to a string of other murders over the previous few months, suggesting a serial killer is on the loose. But the case becomes even more shocking when it emerges that Catherine knows the victim – something that could have serious repercussions for both herself and her family.

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