这部1965年的意大利经典是一部典型的“炫技”之作,导演彼得兰杰利借一场并不复杂的密室谋杀案,极尽繁复之能事,运用多时空交织的手法,将悬疑与哲学思辨完美融合,被誉为“意大利版的《罗生门》”。如果你钟爱福尔曼式的心理博弈或优雅克制的黑色美学,这部作品绝对是必看经典。主演亚利桑德罗·莫利纳里凭借细腻的微表情,将一个玩世不恭的高利贷者的复杂心理演绎得入木三分。安东尼奥·卡普阿奇贡献了教科书级的演技,将一个投机者那种患得患失、可笑又可怜的小丑形象刻画得入木三分。影片叙事节奏明快,主角那近乎“表演”般的荒诞假扮,不仅制造了强烈的喜剧效果,更将官僚体制的无能讽刺得入木三分。剧情的亮点在于主角莫名其妙被捕并死于“绝对真理”的荒诞感,尼诺·曼弗雷迪的表演则完美诠释了那种令人窒息却又忍不住发笑的绝望。
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Plot summary
Born in a small town in the countryside surrounding Pistoia, Adriana is an attractive young girl who counts on using her looks to go places in the entertainment business in Rome. Moving to the capital, she works first of all in a hairdressing salon, then in a small cinema where she manages to get a job working in fancy dress. Meantime, she socializes with young men of the upper middle classes, who take her to parties and out on the town with the sole aim of taking advantage of her. Adriana knows their game, but plays along. In the meantime, she meets an agent called Cianfanna, a modest money-grubber who introduces her to a journalist friend of his so he can write an article on her. Having thus launched her career in advertising, Adriana decides to go home to visit her parents. Once home, however, she is distraught to learn of the death of her sister. Returning to Rome, she takes acting lessons, but during one lesson she suddenly faints: she is pregnant, with no idea of who the father of her child is. The days go by and Adriana tries to forget about her pregnancy, while sleeping with an increasingly long list of lovers. And yet, despite the fact these encounters are often less than enjoyable, at one point she actually falls in love: his name is Antonio and he's a decent young man from a respectable family, but still in love with a former girlfriend he is unable to forget…
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