《嘉年华第二季》延续了第一季的谜团式叙事，导演杰雷米·波德斯瓦用大量低角度长镜头与阴影构图，把30年代美国大萧条时期的流浪马戏团拍成一座行走的隐喻迷宫。适合喜欢《双峰》那种烟熏火燎的谜团、愿意花时间慢慢品角色内心裂痕的观众，看完一定会翻回第一季找线索。 ☀。迈克尔·J·安德森用沉默和眼神演出了Ben逐渐失控的恐惧，而克兰西·布朗的Justin牧师在布道时的狂热与独处时的疲惫反差，让人既憎恶又好奇。这部剧不适合追求快节奏爽感的观众，它更偏向那些愿意在缓慢叙事中品味符号、在人物弧光里寻找历史暗面的观者——就像马戏团帐幔后那场永不落幕的善恶赌局。它不靠突然吓人，而是用细节堆积出一整片看不见的阴影。

　　1934, America. The Dustbowl. A fugitive named Ben Hawkins finds refuge within a traveling carnival comprised of a tarot card reader and her catatonic/telekinetic mother, a blind mentalist, a bearded lady, and conjoined twins, amongst others. The carnival is owned by the mysterious and unseen Management, who has designs on the young Hawkins, for the boy is concealing an untapped gift: he can heal the lame and raise the dead--at a price. Ben also finds himself disturbed by cryptic and prophetic dreams, which he shares with a Methodist preacher in California, Brother Justin Crowe. Brother Justin, convinced by his dreams he is following God's will, has begun to practice his own extraordinary talents, although the preacher's plans increasingly lead to disturbing and tragic consequences. In this "last great age of magic," Ben Hawkins and Justin Crowe are moving toward a great conflict between Good and Evil, although it not yet clear on which sides these men will stand.

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