看《剪辑师》最过瘾的，是它那股子对意大利铅黄电影的痴迷劲儿——胶片颗粒、诡艳配色、电子配乐的刺耳尖叫，每一帧都像从70年代录像带里扒出来的。本片更适合熟悉意大利恐怖片谱系、对元电影与恶搞趣味有耐心的观众，它能让你在廉价布景与刻意穿帮中，找到一种狡黠的学术快感。适合愿意跟着B级片节奏走、不介意故事故意“做作”的观众。和同类复古恐怖片不同，它不满足于模仿，而是把那种廉价布光、生硬配音、过饱和色彩的B级片质感玩到极致，甚至故意留下剪辑错位和穿帮镜头，像是在对观众使眼色：“别认真，一起玩。乌多·基尔老爷子在里面客串了个怪角色，一脸严肃地念着荒唐台词，反差感绝了。主角把那种“我到底是不是杀人狂”的焦虑演得既真实又夸张。

From members of Winnipeg’s infamous Astron-6 collective comes a loving homage and absurdist send-up of the Italian giallo genre. Rey Ciso was once the greatest editor the world had ever seen — but since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up as Rey struggles to prove his innocence and uncover the sinister truth lurking behind the scenes. (Tiff 2014)

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